DoP
Meister des Todes 2 2019
| Director | Daniel Harrich |
| Director of Photography | Michael Praun |
| Production | Diwafilm |
| Format | TV movie |
Tipico Sportwetten - Follow FC Bayern 2015
| Director | Mike Morley |
| Director of Photography | Michael Praun |
| Client | Tipico |
| Production | E 2 communications |
| Format | commercial |
Die andere Heimat 2012
| Director | Edgar Reitz |
| Director of Photography | Gernot Roll, Michael Praun |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Edgar Reitz Filmproduktion |
| shooting days | 69 |
| Format | feature film/ Cinemascope, 1:2,35 |
Toni Costa "Küchenkunst" 2011
| Director | Peter Sämann |
| Director of Photography | Michael Praun |
| Production | Ziegler Film |
| Format | TV movie/ super 16 |
Hubert und Staller 2011
| Director | Oliver Mielke |
| Director of Photography | Thomas Wittmann, Michael Praun |
| Production | Entertainment Factory |
| Format | TV series/ super 16 |
Lebe dein Leben 2011
| Director | Peter Sämann |
| Director of Photography | Michael Praun |
| Production | Tivoli Film |
| Format | TV movie/ super 16 |
Weight Watchers Booster "Moments of truth" 2011
| Director | Richard Höfler |
| Director of Photography | Michael Praun |
| Production | Bakery Films |
| Format | commercial |
"Der Winzerkrieg" 2010
| Director | Peter Sämann |
| Director of Photography | Michael Praun |
| Production | Ziegler Film |
| Format | TV movie/ super 16 |
Volks und Raiffeisenbanken - "Was uns antreibt" 2010
| Director | Richard Höfler |
| Director of Photography | Michael Praun |
| Production | Telefilm |
| Format | commercial (12 spots) |
Volks und Raiffeisenbanken - "Was uns antreibt" 2009
| Director | Richard Höfler |
| Director of Photography | Michael Praun |
| Production | Telefilm |
| Format | commercial (6 spots) |
Fannie - How to Loose You 2008
| Director | Fritz Böhm |
| Director of Photography | Michael Praun |
| Production | Toccata-Film |
| Format | Musik video HD |
A Dreamer´s Dream 2008
| Director | Max Nüchtern |
| Director of Photography | Michael Praun |
| Production | Bontakidd |
| Format | short film HD |
"Cisco" 2007
| Director | Tom Donald |
| Director of Photography | Michael Praun |
| Production | Filmservice München |
| Format | commercial HD |
Gismo - "Dani Albright" 2007
| Director | Max Nüchtern |
| Director of Photography | Michael Praun |
| Production | Maxscene Entertainment |
| Format | Musik video HD |
2030 - Aufstand der Alten 2006
| Director | Jörg Lühdorff |
| Director of Photography | Philipp H. Timme |
| Director of Photography 6 shooting days | Michael Praun |
| Production | Ziegler Film Berlin |
| Format | TV mini series/ 3 parts HD |
Der Mondmann 2005
| Director | Fritz Böhm |
| Director of Photography + Steadicam | Michael Praun |
| Production | Toccata-Film |
| Format | short film/ super 35, 1:2,35 |
Camera Operator &
Steadicam Operator
Homeland Season 8 2019
| Director | Several Directors |
| Director of Photography | David Klein |
| Additional Camera Operator | Michael Praun |
| Production | Arctic Fox Productions Limited |
| Format | TV series/ 1:1,78 |
Sweethearts 2018
| Director | Karoline Herfurth |
| Director of Photography | Daniel Gottschalk |
| Trinity Operator | Michael Praun |
| Production | Hellinger/ Doll Filmproduktion |
| shooting days | 44 |
| Format | feature film 1:2,35 |
Saat des Terrors 2018
| Director | Daniel Harrich |
| Director of Photography | Gernot Roll |
| Trinity Operator | Michael Praun |
| Production | Diwafilm |
| shooting days | 21 |
| Format | TV - Movie |
Vöslauer - Run - Lily James 2017
| Director | Anthony Mandler |
| Director of Photography | David Devlin |
| Steadicam Operator | Michael Praun |
| Production | PPM Filmproduction GmbH |
| Format | commercial/ Cinemascope, 1:2,35 |
Gillette Wordcup 2018 - Thomas Müller 2017
| Director | Karim Huu Do |
| Director of Photography | |
| Steadicam Operator | Michael Praun |
| Production | SHOTZ Production Service Germany |
| Format | commercial |
Brecht - Eine Vorstellung 2017
| Director | Dr. Heinrich Breloer |
| Director of Photography | Gernot Roll |
| Steadicam Operator | Michael Praun |
| Production | Bavaria Film GmbH |
| shooting days | 44 |
| Format | TV - Movie 16:9 |
Porsche Soultrain 2017
| Director | Knut Burgdorf |
| Director of Photography | Torsten Lippstock |
| Steadicam Operator | Michael Praun |
| Production | Hochkant Film |
| Format | commercial |
IBM - Watson IoT 2016
| Director | Norbert Vander |
| Director of Photography | Volker Schellbach |
| Steadicam Operator | Michael Praun |
| Production | Black Pearl Film GmbH |
| Format | commerical |
Gift 2016
| Director | Daniel Harrich |
| Director of Photography | Gernot Roll |
| A Camera + Steadicam Operator | Michael Praun |
| Production | Diwafilm |
| shooting days | 24 |
| Format | TV- movie |
http://www.youtube.com/watch?v=pxISEUx4jdI&feature=youtu.be
Die Zukunft wartet nicht! 2016
| Director | |
| Director of Photography | |
| Steadicam Operator | Michael Praun |
| Production | Filmunique Filmproduktion |
| Format | Imagefilm |
http://www.youtube.com/watch?v=0V-tyw_HkiQ
Renegades 2015
| Director | Steven Quale |
| Director of Photography | Brian Pearson |
| 2. Unit Director + DoP | Aaron Schneider |
| 2. Unit A Camera Operator + Steadicam Oparator | Michael Praun |
| Production | Studio Babelsberg |
| Format | feature film/ Cinemascope, 1:2,35 |
A Cure for Wellness 2015
| Director | Gore Verbinski |
| Director of Photography | Bojan Bazelli, ASC |
| Additional Camera Operator | Michael Praun |
| Production | 24. Babelsberg Film |
| Format | feature film/ Cinemascope, 1:2,35 |
Homeland Season 5 - 2015
| Director | Lesli Linka Glatter/ Dan Attias |
| Director of Photography | David Klein |
| Additional Camera + Steadicam Operator | Michael Praun |
| Production | 34. Babelsberg Film |
| Format | TV series/ 1:1,78 |
Tipico - Ein Hoch auf neue und bewährte Partnerschaften 2015
| Director | Milko Snijders |
| Director of Photography | Olav van Gerwen |
| Additional Camera + Steadicam Operator | Michael Praun |
| Production | Those Silly Man |
| Format | commercial |
Meister des Todes 2014
| Director | Daniel Harrich |
| Director of Photography | Gernot Roll |
| Camera Operator + Steadicam Operator | Michael Praun |
| Production | Diwa Film |
| 26 shooting days | |
| Format | feature film |
Point Break 2014
| Director | Ericson Core |
| Director of Photography | Ericson Core |
| Director of Photography Specialty Unit | Peter Collister |
| B Camera Operator Specialty Unit | Michael Praun |
| Production | 25. Babelsberg Film |
| Format | feature film/ Cinemascope, 1:2,35 |
Right Guard - High Five - Shower 2014
| Director | Joe Dempsey |
| Director of Photography | Richard Steward |
| Camera Operator + Steadicam | Michael Praun |
| Production | E+P Films |
| shooting days | 2 |
| Format | commercial |
Adidas "UNSERE FARBEN ODER KEINE"
| Director | The Dempseys |
| Director of Photography | Steve Annis |
| Camera Operator + Steadicam | Michael Praun |
| Production | E+P Films |
| shooting days | 2 |
| Format | commercial |
Adidas 3D 2013
| Director | Claus Bertling |
| Director of Photography | Sebastian Cramer |
| Camera Operator + Steadicam 3D | Michael Praun |
| Production | Fine Arts Munich |
| shooting days | 5 |
| Format | commercial |
The Book Thief 2013
| Director | Brian Percival |
| Director of Photography | Florian Ballhaus |
| VFX Camera Operator | Michael Praun |
| Production | Zwanzigste Babelsberg |
| shooting days | 2 |
| Format | feature film |
Die andere Heimat 2012
| Director | Edgar Reitz |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Edgar Reitz Filmproduktion |
| shooting days | 69 |
| Format | feature film/ Cinemascope, 1:2,35 |
Right Guard - "smoking racer + tears" 2012
| Director | Nick Livesey |
| Director of Photography | Ben Davis |
| Camera Operator | Michael Praun |
| Production | Tempomedia |
| Format | commercial |
Henkel - Right Guard - "Kicker" 2012
| Director | Barton Landsman |
| Director of Photography | John de Borman |
| Camera Operator | Michael Praun |
| Production | Radical Media |
| Format | commercial |
Mercedes-Benz A-Class "Hunger" 2012
| Director | Alex and Liane |
| Director of Photography | Christopher Probst |
| Camera Operator | Michael Praun |
| Production | Tempomedia |
| Format | commercial |
Little Lady Fauntleroy 2011
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Lotus Film |
| shooting days | 24 |
| Format | TV movie/ HD, 1:1,78 |
The Three Musketeers 2010
| Director | Paul W.S. Anderson |
| Director of Photography | Glen MacPherson |
| B Camera Operator + Steadicam | Michael Praun |
| Production | Constantin Film |
| shooting days | 57 |
| Format | feature film 3D/ 1:2,35 |
Das Ende ist mein Anfang 2009
| Director | Jo Baier |
| Director of Photography | Judith Kaufmann |
| B Camera Operator + Steadicam | Michael Praun |
| Production | Collina Film |
| shooting days | 26 |
| Format | feature film/ super 35, 1:2,35 |
Die Superbullen 2009
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Constantin Film |
| shooting days | 28 |
| Format | feature film/ HD (Arri D21), 1:2,35 |
Werner "Eiskalt" 2009
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Constantin Film |
| shooting days | 11 |
| Format | feature film/ HD (Arri D21), 1:1,78 |
Freche Mädchen 2 2009
| Director | Ute Wieland |
| Director of Photography | Peter Przybylski |
| B Camera Operator + Steadicam | Michael Praun |
| Production | Collina Film |
| shooting days | 37 |
| Format | feature film/ super 35, 1:2,35 |
Henri 4 2008
| Director | Jo Baier |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Ziegler Film Berlin |
| shooting days | 74 |
| Format | feature film/ HD (Arri D21), 1:2,35 |
"Männersache" 2008
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Constantin Film |
| shooting days | 36 |
| Format | feature film/ HD (Arri D21), 1:1,85 |
Ein Dorf schweigt 2008
| Director | Martin Enlen |
| Director of Photography | Philipp H. Timme |
| B Camera Operator | Michael Praun |
| Production | Medien Kontor Movie |
| shooting days | 3 |
| Format | TV movie/ super 16 |
Die Kartoffelkäfer kommen 2008
| Director | Martin Enlen |
| Director of Photography | Philipp H. Timme |
| Camera Operator | Michael Praun |
| Production | Ziegler Film Berlin |
| shooting days | 3 |
| Format | TV movie/ super 16 |
Die Jahrhundertlawine 2008
| Director | Jörg Lühdorff |
| Director of Photography | Philipp H. Timme |
| Camera Operator + Steadicam | Michael Praun |
| Production | Bavaria Pictures |
| shooting days | 30 |
| Format | TV movie/ super 35, 1:1,78 |
Buddenbrooks - "Ein Geschäft von einiger Größe" 2007
| Director | Heinrich Breloer |
| Director of Photography | Gernot Roll |
| A Camera Operator +Stadicam | Michael Praun |
| Production | Bavaria Film |
| shooting days | 70 |
| Format | feature film/ super 35, 1:2,35 |
Süden 1 2007
| Director | Martin Enlen |
| Director of Photography | Philipp H. Timme |
| B Camera Operator +Stadicam | Michael Praun |
| Production | Moovie Entertainment |
| shooting days | 10 |
| Format | TV movie/ super 16 |
T-Home "Limitless" 2007
| Director | Singh Tarsem |
| Director of Photography | Collin Watkinson |
| Camera Operator | Michael Praun |
| Production | Radical Media |
| Format | commercial |
Kein Bund fürs Leben 2006
| Director | Granz Henman |
| Director of Photography | Gernot Roll |
| A Camera Operator +Stadicam | Michael Praun |
| Production | Wiedemann & Berg Filmproduktion |
| shooting days | 35 |
| Format | feature film/ super 35, 1:2,35 |
Tatort - A g´mahde Wiesn 2006
| Director | Martin Enlen |
| Director of Photography | Philipp H. Timme |
| B Camera Operator +Stadicam | Michael Praun |
| Production | Moovie Entertainment |
| shooting days | 8 |
| Format | TV movie/ super 16 |
DWK4 - Wilde Kerle 2006
| Director | Joachim Masannek |
| Director of Photography | Benjamin Dernbecher |
| B Camera Operator +Stadicam | Michael Praun |
| Production | Sam Film |
| shooting days | 2 |
| Format | feature film/ super 35, 1:2,35 |
2030 - Aufstand der Alten 2006
| Director | Jörg Lühdorff |
| Director of Photography | Philipp H. Timme |
| B Camera Operator + Steadicam | Michael Praun |
| Director of Photography for 6 shooting days | Michael Praun |
| Production | Ziegler Film Berlin |
| shooting days | 30 |
| Format | TV mini series/ 3 parts/ HD |
"Das Wunder der Liebe" 2006
| Director | Thomas Jacob |
| Director of Photography | Sebastian Richter |
| B Camera Operator +Stadicam | Michael Praun |
| Production | Ziegler Film Berlin |
| shooting days | 16 |
| Format | TV movie/ super 16 |
Nicht alle waren Mörder 2005
| Director | Jo Baier |
| Director of Photography | Gunnar Fuß |
| Camera Operator | Michael Praun |
| Production | TeamWorx |
| shooting days | 3 |
| Format | TV movie/ super 16 |
Räuber Hotzenplotz 2005
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Collina Film |
| shooting days | 42 |
| Format | feature film/ super 35, 1:2,35 |
T-Com/ Fifa WM 2006 Flight 1 Start 2005
| Director | John Buché |
| Director of Photography | Sebastian Pfaffenbichler |
| Camera Operator | Michael Praun |
| Production | Erste Liebe Filmproduktion |
| Format | commercial |
Drei Schwestern made in Germany 2005
| Director | Oliver Storz |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Ziegler Film Köln |
| shooting days | 25 |
| Format | TV movie/ super 16 |
Telekom FC Bayern 2005
| Director | Markus Plunder |
| Camera Operator + Steadicam | Michael Praun |
| Production | Bakery Film |
| Format | commercial |
Speer und Er 2004
| Director | Heinrich Breloer |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Bavaria Film |
| shooting days | 70 |
| Format | TV mini series/ 3 parts/ Super 35, 1:1,78 |
Die Patriarchin 2004
| Director | Carlo Rola |
| Director of Photography | Frank Küpper |
| Steadicam | Michael Praun |
| Production | Moovie Entertainment |
| shooting days | 16 |
| Format | TV mini series/ 3 parts/ super 16 |
Polly Blue Eyes 2003
| Director | Tomi Wiegand |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Equinox Film |
| shooting days | 34 |
| Format | feature film/ super 35, 1:2,35 |
Pura Vida Ibiza 2003
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Odeon Film |
| shooting days | 30 |
| Format | feature film/ super 35, 1:1,85 |
In einen anderen Leben 2003
| Director | Manuel Siebenmann |
| Director of Photography | Egon Werdin |
| Camera Operator | Michael Praun |
| Production | Tellux Film |
| shooting days | 6 |
| Format | TV movie/ super 16 |
Diba Dirk Nowizky 2003
| Director | Joachim Hellinger |
| Director of Photography | Dieter Deventer |
| Camera Operator + Steadicam | Michael Praun |
| Production | Helliventures |
| Format | commercial |
Freiherr von der Trenck 2002
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| Production | Bavaria Film |
| shooting days | 58 |
| Format | TV mini series/ 2 parts/ super 35, 1:1,78 |
Knallharte Jungs 2001
| Director | Granz Henman |
| Director of Photography | Gernot Roll |
| A Camera Operator + 2. Unit | Michael Praun |
| Production | Constantin Film |
| shooting days | 35 |
| Format | feature film/ super 35, 1:1,85 |
Nirgendwo in Afrika 2001
| Director | Caroline Link |
| Director of Photography | Gernot Roll |
| B Camera Operator + 2. Unit | Michael Praun |
| Production | MTM |
| shooting days | 56 |
| Format | feature film/ super 35, 1:2,35 |
Die Manns 2000
| Director | Heinrich Breloer |
| Director of Photography | Gernot Roll |
| A Camera Operator | Michael Praun |
| Production | Bavaria Film |
| shooting days | 86 |
| Format | TV mini series/ 3 parts/ super 35, 1:1,78 |
2. Unit Camera
"George" 2012
| Director | Joachim Lang |
| Director of Photography | Holly Fink |
| 2. Unit Camera | Michael Praun |
| Production | Team Worx |
| shooting days | 2 |
| Format | TV movie/ super 16 |
"Hansi und Hubsi" 2010
| Director | Oliver Mielke |
| 2. Unit Camera | Michael Praun |
| Production | Entertainment Factory |
| shooting days | 15 |
| Format | TV movie/ super 16 |
Val Montana - Die Jahrhundertlawine 2008
| Director | Jörg Lühdorff |
| Director of Photography | Phillip H. Timme |
| 2. Unit Camera | Michael Praun |
| Production | Bavaria Pictures |
| shooting days | 30 |
| Format | TV movie/ super 35, 1:1,78 |
Buddenbrook - Ein Geschäft von einiger Größe 2007
| Director | Heinrich Breloer |
| Director of Photography | Gernot Roll |
| A Camera Operator + Steadicam | Michael Praun |
| 2. Unit Camera | Michael Praun |
| Production | Bavaria Pictures |
| shooting days | 70 |
| Format | TV movie/ super 35, 1:2,35 |
Das Wunder der Liebe 2006
| Director | Thomas Jacob |
| Director of Photography | Sebastian Richter |
| 2. Unit Camera | Michael Praun |
| Production | Ziegler Film Berlin |
| shooting days | 16 |
| Format | TV movie/ super 16 |
Tatort "Außer Gefecht" 2005
| Director | Friedemann Fromm |
| Director of Photography | Hanno Lentz |
| 2. Unit Camera | Michael Praun |
| Production | TV 60 Filmproduction |
| Format | TV movie/ super 16 |
Arme Millionäre 2004
| Director | Peter Gersina |
| Director of Photography | Peter-Joachim Krause |
| 2. Unit Camera | Michael Praun |
| Production | Sanset Film |
| Format | TV series/ super 16 |
Nirgendwo in Afrika 2001
| Director | Caroline Link |
| Director of Photography | Gernot Roll |
| 2. Unit Camera | Michael Praun |
| Production | MTM |
| shooting days | 56 |
| Format | feature film/ super 35, 1:2,35 |
Focus Puller
Brief einer Unbekannten 2001
| Director | Jacques Deray |
| Director of Photography | Gernot Roll |
| 1. Assistant Camera | Michael Praun |
| Format | TV movie/ super 16 |
Ne günstige Gelegenheit 1999
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| 1. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:1,85 |
Tach, Herr Doktor 1999
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| 1. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:1,85 |
Ein Mädchen von nebenan 1999
| Director | Christoph Stark |
| Director of Photography | Gernot Roll |
| 1. Assistant Camera | Michael Praun |
| Format | TV movie/ super 16 |
Late Show 1998
| Director | Helmut Dietl |
| Director of Photography | Gernot Roll |
| 1. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:1,85 |
Der Laden 1998
| Director | Jo Baier |
| Director of Photography | Gernot Roll |
| 1. Assistant Camera | Michael Praun |
| Format | TV mini series/ 3 parts/ super 16 |
Weihnachtsfieber 1997
| Director | Paul Harather |
| Director of Photography | Gernot Roll |
| 1. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:1,85 |
Ballermann 6 1997
| Director | Gernot Roll |
| Director of Photography | Gernot Roll |
| 1. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:1,85 |
| commercial produktions | E&P, Roman Kuhn, GAP, Bliss, Input, Interteam, NDF, Oberon, Kruse-Film, DCF, Short-Cut, Frames Filmproduktion, Untiteld, REM, Viva, Clay Coleman, Heliventures, Plaza-Media, Made in Munich, Radical Images, Paladium, u.a. |
| worked with following DoP´s as Camera assistent | Robert Fraisse, Dietrich Lohmann, Gernot Roll, Karl Kases, Michael Bindlichner, Jörg Widmer, Klemens Becker, Mike Bartlett, Roger Hinrichs,Tom Fährmann, Martin Langer, Thierry Arbogast, Johannes Kirchlechner, Bernd Neubauer, Philip Geigel, Daniel Gottschalk, Daniel Koppelkamm, Tony Mitchell, Joachim Berc, Mike Schult, S. v. Borbely, Josh Josimovic, Felix Storp, Dieter Deventer, Egon Werdin, David Wynn-Jones, Frank Sprung, Gunnar Fuß, Fritz Seemann, Jaques Steyn, Frank Blau, Martin Kukukla, Michael Epp, Britta Mangold, Klaus Liebertz, Wedigo von Schulzendorf, Tom Olgeirson, Jürgen Müller-Steinfahrt, Alexander Witt, Sebastian Pfaffenbichler, Xaver Schwarzenberger |
Clapper Loader
Seven years in Tibet 1996
| Director | Jean-Jacques Annault |
| Director of Photography | Robert Fraisse |
| 2. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:2,35 |
Der bewegte Mann 1994
| Director | Sönke Wortmann |
| Director of Photography | Gernot Roll |
| 2. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:1,85 |
Radetzkymarsch 1994
| Director | Axel Corti |
| Director of Photography | Gernot Roll |
| 2. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:1,85 |
Hörigkeit des Herzens 1993
| Director | Carlo Rola |
| Director of Photography | Karl Kases |
| 2. Assistant Camera | Michael Praun |
| Format | TV movie/ 35/ 1:1,85 |
Der Sandmann 1992
| Director | Eckhart Schmidt |
| Director of Photography | Johannes Kirchlechner |
| 2. Assistant Camera | Michael Praun |
| Format | feature film/ 35/ 1:1,85 |
Night train to Venice 1992
| Director | Carlo Quinterio |
| Director of Photography | Armando Nanuzzui |
| 2. Assistant Camera | Michael Praun |
| Format | feature film/ super 35/ 1:2,35 |
Undine 1991
| Director | Eckhardt Schmidt |
| Director of Photography | Bernd Neubauer |
| 2. Assistant Camera | Michael Praun |
| Format | feature film/ 35/ 1:1,85 |
Salt on our skin 1991
| Director | Andrew Birkin |
| Director of Photography | Dietrich Lohmann |
| 2. Assistant Camera | Michael Praun |
| Format | feature film/ 35/ 1:2,35 |
